When Sophia Amoruso was a dumpster-diving 22-year-old in Portland, the very last thing she probably expected was that, in less than 10 years, she’d become a millionaire CEO. Or that, in the year 2017, Netflix would be rolling out an original show about her life called
, set to drop on April 21, it’s wise to acquaint yourself with Amoruso’s legacy — both its triumphs and its controversies. While the fictional account starring Britt Robertson is pretty sensational, Amoruso’s life doesn’t need too much sprucing up to make entertaining. There are enough twists and turns to keep you hooked until the very last slide.

It just goes to show that life is a long, winding, and unpredictable road. Think of Sophia Amoruso as a millennial Cinderella, weaving vintage rags into veritable riches before our very eyes.
Sophia Amoruso #girlboss Book Review || The Travel Tester
If you’re interested, pick up her memoir and guide to life, #Girlboss, for a deep dive into the Nasty Gal founder’s thought processes.
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Sophia Amoruso On Girlboss Media, How It Will Differ From Other Women's Publications
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Begins with the following disclaimer: “What follows is a loose retelling of true events... Real loose.” That constant reminder is a crucial one: The show may be based on
Bestseller written by Nasty Gal’s founder and former CEO Sophia Amoruso, but it’s as stylized and surreal as the six-inch platform boots and lamé jumpsuits Nasty Gal stocks.
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Nasty Gal has been plagued with problems. First came the allegations that Amoruso had shifted her efforts from the fashion company she built to promoting her best-selling memoir (and herself); former employees began leaving scathing reviews on Glassdoor. Then, in September 2014, the layoffs (and lawsuits) started.
Amoruso stepped down as CEO of Nasty Gal in January 2015, funding for the company slowed, and even more employees were laid off. By November 2016, Nasty Gal had filed for Chapter 11 bankruptcy protection; UK retailer Boohoo acquired the company this past February. Of course, none of this is depicted in season 1 of
, which focuses on Sophia (played by Britt Robertson) as she gets her start “flipping clothes” on eBay and, later, launches her own website. Should
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Get renewed for further seasons, it’ll be fascinating to see how — if at all — the show portrays Nasty Gal’s downfall.
Paints a fairly flattering picture of Sophia overall. Brash and foulmouthed, the character is flawed — but the audience is clearly meant to root for her throughout, which sometimes feels problematic. Had Amoruso not been personally involved in the project, I wonder if the screenplay might’ve had a little more bite (for the better).

True. In her memoir, Amoruso notes with “zero pride” that she used to steal everything from rugs to books, so it makes sense that
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True and true; and yes, she really did take the latter gig for the health insurance so she could have a hernia removed. But at the real-life Academy of Art University, I doubt Amoruso ever had a boss as delightful as Rick (Norm Macdonald), who steals every scene he’s in.
Sophia with many costume pieces for the character, all [of which paid] homage to her look IRL, ” Fisher says. “Her grandmother’s Greek Orthodox silver cross, since Sophia wore that necklace proudly and often back in the day; dozens of brutalist and ‘70s vintage silver rings, as she always had an eclectic mix on each hand; the sleek denim jumpsuit; a turquoise baby cord bomber that I copied right from one of [Amoruso’s] Polaroids; the sexy red denim ‘70s jeans that Britt struts around in at the beginning of the show; a Victorian lace blouse that mirrored a similar piece in Sophia’s closet; a rhinestone-encrusted denim shirt inspired by a recent Instagram of [Amoruso] — those are a few of my favorite examples.”
The first item Sophia ever sold on eBay was a vintage leather jacket she bought for nine dollars and sold for over $600.
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False. According to her book and multiple interviews she’s given over the years, the first item Amoruso actually sold on eBay was a stolen book (although, to be fair, Sophia does shoplift a copy of
“That scene was written very specifically, and as I understood, it is a fictionalized version of one of Sophia [Amoruso]’s experiences, ” Fisher says, noting that show creator Kay Cannon’s script called for an East West moto jacket. “In order to honor her vision, I went on a quest. I checked with all the vendors in town who deal in ‘70s leathers, turned to eBay, and finally found that metallic beauty at vintage dealer Brian Cohen’s exquisite atelier in Hollywood.” Fisher calls the jacket “the most significant costume of the show, ” as it “embodies both Sophia’s magic and moxie.”
Get to see Sophia uncover two Chanel jackets at a thrift store, buy them for $8 apiece, and sell them for over $1, 500, another prime bit from the book.

The Best Fashion Moments From Our Latest Obsession, Girlboss
True. However, that DailyCandy writeup came in July 2008, after Amoruso had launched Nasty Gal’s website — not in June 2007, when she was still selling on eBay.
Sophia once rushed from San Francisco to Marin County to deliver a vintage wedding dress to a customer in time for her walk down the aisle.
Works best when it steps away from its source material and incorporates an imaginary plotline or two, and Sophia’s mad dash to deliver this dress makes for one of the show’s strongest episodes.
Girlboss (tv Series 2017)
Piece by designer Sue Wong, which Fisher bought in multiples. “Because of [production] requirements, we couldn’t actually use a singular and delicate vintage gown, ” Fisher says. “It’s not practical to use, for instance, an actual vintage gown that might disintegrate during the first take!”
True — and yes, Amoruso actually “bought a bot, ” i.e., used illegal friend-adding software to increase Nasty Gal’s reach. (No word on whether her real-life BFF’s feelings were hurt when Amoruso bumped her out of her Top 8 to make room for Marc Jacobs.)
Back in her eBay days, Sophia angered her fellow vintage sellers, who took issue with her high prices and focus on ’80s styles.
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. “Nasty Gal Vintage showed up, guns blazing, out of nowhere, and in no time it was one
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