Girlboss Sophia Look

Girlboss Sophia Look

Is here and the new Netflix series is getting as much scrutiny as the Girlboss it’s inspired by, controversial Nasty Gal creator Sophia Amoruso. Our fictional Sophia (Britt Robertson) has already been called cartoonishly brash, a classic asshole genius, and a manic-pixie-jackass. All of this is true. But, if you stick around through all of season 1’s 13 episodes, you’ll realize there’s a lot more going on underneath all that bluster and vintage clothing.

When we first meet Sophia in Girlboss, she’s simply a caricature of everything we’re told is wrong with millennials, and then some. She’s self-obsessed, always late, and has a crippling case of Peter Pan Syndrome. On top of all of that, she also steals, has a misplaced sense of superiority, and is rude in ways that hint she’s never spoken to another human being.

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Then, episode 4, Ladyshopper99, happens. This is the moment we see Sophia go from a sketch of countless awful qualities held together by rocker-chic duds, to a deeply sad young woman with a real history. A big part of that is thanks to a dinner conversation between Sophia, her artist friend Nathan (Cole Escola), and his mom (Nicole Sullivan). Nathan and his mom couldn’t have a closer relationship, which finally gets Sophia to open up about her own family, which includes an MIA mother and a (sometimes understandably) critical dad.

Sophia Amoruso's Best Selling Book #girlboss Is Now Getting Its Own Netflix Series

, she explains, starting to get a far-off look in her eyes. I have this eBay thing, which I think is pretty cool. But, I know that [my dad] would just find a way to make it seem like I was doing it all wrong. I’m not even gonna mention it to him until I can buy…really everything that Barbie has.

Then, Nathan’s mom gives Sophia the kind of hug that nearly brings tears to her eyes. It looks like the first time the budding fashion mogul has received any maternal love in years. That’s when we realize Sophia is still haunted by demons from her childhood. She doesn’t act like a monster because she’s a natural Garbage Person as she’s called later in Girlboss; she’s thick-skinned because she still feels abandoned.

This plot point becomes even more obvious when Sophia goes nuclear and tells her best friend Annie (Ellie Reed) she’s essentially done nothing to make Nasty Girl the nascent success it is. Of course that’s a lie — Annie does all the hair and makeup for the eBay photos and essentially manages the business — but our resident narcissistic girlboss can’t see that. Sophia was deserted once by someone she loves, so she’s convinced herself she doesn’t need anyone else, that she's a one woman army. Again, this is totally incorrect.

Girlboss Costume Designer On Sophia's Outfits

Is able to start reversing Sophia’s most self-destructive tendencies is to go right to the source. For the Christmas episode, Garbage Person, Sophia eventually tracks down her mom Kathleen (Alice Ripley), who’s a down-on-her-luck aging actress. Despite the mother-daughter pair’s longtime emotional and physical distance, they have the same scream-first, apologize-never attitude. While Sophia has been celebrating this behavior for the entirety of the series, her mom acts as a Ghost Of Christmas Future, revealing the sad, lonely life her daughter could have if she doesn’t get her act together. It’s no surprise Kathleen’s troupe is performing

When Sophia returns to San Francisco she's not a totally new person, but she finally has enough humility to ask Annie to forgive her. So, yes, Sophia is sometimes a manic-pixie jackass. But she's also the kind of nasty gal you'll end up rooting for if you're paying attention.

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, Netflix's latest binge-watch starring Britt Robertson as a pseudo-Sophia Amoruso (in the series, her last name is Marlowe), founder of Nasty Gal, who got her start selling vintage clothes on E-Bay. Even as I got caught up in Sophia's lightning rise to success, messy love life, and indomitable spirit, something kept nagging at me: I could never wear those clothes.

Boho chic implies loose, floaty silhouettes that drape oh-so-casually on waif-like limbs, a look that flatters exactly 0.0032 percent of the female population whose last name is not Olsen. There is almost no chance of me wandering into a cute consignment shop and walking out with an impossibly cool 1970s biker jacket that magically turns me into Anita Pallenberg, as Sophia does in the very first episode. My size 10 feet curl up at the mere thought of being squeezed into pre-standard shoe size sky-high platforms. And those high-waisted flares straight out of Cher's Sonny-era closet? Dare to dream. (Note: This is my experience. If you have managed to snag a fabulous Dior jacket in a non sample-size during a vintage spree, I salute you, and we should talk.)

Netflix's Girlboss Costume Designer Talks Vintage And Nasty Gal Style

Most of the show is actually shockingly relatable — the struggle to figure out what you want out of life is something most millennials are all too familiar with. But as I watched Sophia selling item and after item that I knew I would never, ever be able to wear (a prairie dress slashed and converted into a belted robe isn't easy to pull off unless you're a certain body type), I just felt sad. Aren't we over the trope that cool = skinny?

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I grant you that this is based on a true story, and therefore had to work with real world material. Britt Robertson's performance is funny and powerful. But as we are reminded at the beginning of each episode, this is a loose retelling of true events. Real loose. Couldn't some of that loosening have gone towards breaking down one of the most pernicious female stereotypes?

. The show's feminist message, based on Amoruso's best-selling book and adapted for television by Kay Cannon, is that all women can look as badass as they feel. If you dream big and go big, you'll win big. Not to mention that it's a really fun show to watch (if you can get over the first two episodes in which Sophia is just insufferable), all while embracing and celebrating strong, bold women.

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