' protagonist Sophia Marlowe (Britt Robertson) can barely stay in the saddle of her rapidly expanding vintage clothing business. Though Sophia had scoffed at her prior full-time jobs — one at a shoe store and the other as a security monitor — running Nasty Gal requires far more commitment than a conventional 9-to-5.
Presents us with a montage of our exhausted heroine flopping into bed, night after night. That capitalist spirit would be fine — encouraged, even — were Sophia not getting in bed next to her boyfriend, Shane (Johnny Simmons), disgruntled from evenings spent alone. As Sophia's intense schedule wears on, their intimacy stales and their warm banter stiffens. The relationship ends after Sophia catches Shane receiving a blowjob from his bandmate.
After all, Sophia’s not the only one in the relationship to struggle with work-life balance. As a music manager, Shane’s tied to his band’s demanding schedule. At one point, he hits the road for a number of months. When Sophia visits him in L.A. after a long stint apart, Shane’s bound to the whims and whimsies of the band’s petulant frontman, much to Sophia's disappointment.
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A 2015 film in which Anne Hathaway plays Jules Ostin, CEO of a successful fashion startup. While Jules struggles with the reins on her rapidly expanding fashion startup, her husband Matt raises their daughter. Jules’ long hours and hands-on approach to her career put extra pressure on their marriage. Eventually, it’s revealed that Matt is having an affair with another parent, a direct cause of Jules’ hours spent away.
, Jules decides to to give up her position at the helm of her own business in order to work on her marriage — until the heroic Matt steps in, and says he’s willing to find a solution, even if she stays on as CEO.
Seen a career man on film or TV consider leaving his job to spend more time with his family — except, perhaps, for Randall on NBC's This Is Us. In that case, Beth, who gave up her career as a lawyer to raise the couple’s daughters, is concerned about her husband’s demanding schedule, but accepts his long hours as a fact of their relationship. When Randall eventually quits, it’s his own choice – not because Beth cheated on him as a “wake-up call.”
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Refrains from contributing to the debate. Instead, Shane cheats, Sophia dumps him, and the simmering, disturbing implication that he cheated because of her ambition is left unsaid — much to the detriment of this show’s feminist message. Hopefully, being in relationships with disgruntled partners isn’t the price all #Girlbosses have to pay in order to achieve their #goals.
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Soundtrack. Here's just some of the best tracks you may hear while watching the show (as if you really needed more incentive).
The soundtrack is definitely eclectic, featuring some old school songs that are still iconic today, as well as various different genres including rock, rap, and classic soul. Even if you don't love all the songs on the soundtrack, there's definitely at least one song for you. There's Wild One by Jerry Lee Lewis that totally goes with Sophia's wild child aesthetic on the show. She knows she's different and she doesn't care whether people think what she's doing is crazy or if they think it's cool. She's doing as she pleases, no matter what — and we kinda love her for it.
From there, the show keeps up the wild child theme with Rebel Girl by Bikini Kill. However, there are also so slower beats to enjoy as well with I've Got Dreams to Remember, by Otis Redding. The bluesy song is a reminder that while Sophia may love to give the finger to the world most days, she still struggles with failures, and just like anyone else, she's had moments where she wanted to give up. However, just as the song suggests, when Sophia falls, she's able to remember what she's working towards and pick herself up again.
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The music also gets into the party vibe with classic throwbacks like Get It Poppin by Fat Joe ft. Nelly and keeps the party rolling with Nasty Gal, by Betty Davis, which actually served as inspiration for Amoruso to give her fashion empire the same name, according to
Other notable songs include Teenage Dirtbag by Wheatus and the more recent track I'll Come Crashing by A Giant Dog, which continued to haunt Sophia throughout the final episode after (spoiler alert from Episode 12!) she sees Shane cheating on her. The alternative rock songs definitely seem to align with Sophia's personality and help tell the story of her journey as she embarks on a fascinating career.The new Netflix “dramedy” tells the story of Sofia Amoruso, the founder of “NastyGal.” An independent retail business that started out as an Ebay store in 2007 and has reached almost $300 million in sales since then.
Britt Robertson plays a very loud, very opinionated, very eccentric and unapologetic young woman with a passion and a dream she’s determined to achieve. There is a moment in episode nine that sums up Sophia and narrows down the message this show is trying to spread to one quote. After trying to prove to her father, her friends, and the vintage fashion industry that she is not
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For most of the series, Sophia realises that she is a girl, and that’s okay. “I am a girl. And that shouldn’t be a bad thing. Girls are collaborative, empathetic, hard workers. Girls are great.” Sophia says to her potential future landlord. Girl and boss, regardless of what the media tries to tell us most of the time, are most definitely synonyms, and this story proves it.
Music Supervisor Season Kent captured the essence of Sophia and her story, translating it into songs that fit it perfectly. Hits from the late 60s and the 70s, songs from the 2000s that would have been on the radio at the time the story takes place, and a few recent tracks make up a soundtrack that takes the viewers’ experience to a different level.
The opening scene is enhanced by Suzi Quatro’s 1974 anthem “The Wild One, ” a song that quite literally describes Sophia, or who she wants to be. It’s a perfect introduction to the character and it sets the tone for what’s laying ahead both musically and story-wise.
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Music is canonically included in some of the most memorable moments of the show,
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